An independent comedy of mistaken identity that parodies porn and Heimat films with a cast of German-language television celebrities. The independently financed German-Austrian production by actor and director Daniel Krauss ("Wo es weh tut") is a wild and unashamedly incorrect satire that takes aim at the erotic and TV industries in equal measure. Gerhard Polt — and, far more sharply, Helmut Dietl with plenty of Viennese cheek — come to mind as a put-upon sex-film actor slips into the skin of a Heimatfilm star who happens to look just like him and turns the production upside down during a disaster of a shoot on the Wörthersee. Beyond a relentlessly overdriven, colour-saturated farce on the vanities and hypocrisies of the business, Antoine Monot Jr. as Alex Gaul also gets to indulge, tongue in cheek, in kitschy rom-com moments with Anna Kapfelsperger as the chambermaid Yve. For all its tastelessness and toilet humour, Krauss reveals a big heart for a chubby innocent in a cynical world. There he is forced to act in grubby smut films, yet dreams — entirely without talent — of an acting career: if not Shakespeare, then at least a Heimatfilm, so that his grandmother, dying of lung cancer (television legend Grit Boettcher), can pass away in peace. He seizes his chance when he assumes the identity of his lookalike Zacharias Zucker and from then on shuttles back and forth between the porn set and the Heimatfilm shoot next door, stepping into the shoes of an arrogant scoundrel and juggling ever-growing problems beyond his depth. Art has no chance — that is the credo of this broadside, fired off in forcedly cheerful tones, against stars, business and broadcasters who produce trash instead of culture and turn out nothing but morally degenerate specimens. The screamingly colourful chaos of caricatures and garish exaggerations is grounded, if only minimally, by a love story, and at times overshoots its mark — something that numerous celebrity cameos, such as Ottfried Fischer as a grumpy caretaker or Ilja Richter as a network boss carried about in a sedan chair, more than make up for. tk.